"The Accipiter, a bird of prey, as well as fossil studies and scientific renderings of cellular mitosis, formed the basis for the fragmented forms and ruptured avian figures that appear in these new drawings. Beyond these particular sources, however, the works demonstrate a sustained interest in corporeal transformation: the ability of physical bodies to break, tear, decay, heal and regenerate. These modes of repetition and mutation are mirrored in the time-intensive and laborious processes by which the drawings were created."
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